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Gluskin eventually sets Waylon's locker upright and drugs him with gas, knocking him out. When Waylon hides in a locker, Gluskin flips the locker over and drags Waylon away. Waylon follows a bloody footprint trail to a dead end, where he is once again cornered by Gluskin. Waylon escapes by hopping onto the floor below and limps through rooms where severed heads of Variants have been speared onto female dress forms. The fall impales a large stick of wood into Waylon's ankle, hindering his mobility for a large portion of the remaining game.ДЄfter Gluskin takes Waylon's fall as rejection for his advances, he tries to kill Waylon by sending the elevator up towards himself. Waylon escapes by jumping onto the ladder of an elevator shaft, but is sent crashing to the roof of the elevator car below as the ladder breaks. As Waylon continues his escape, Gluskin can be heard nearby as he sings I Want A Girl.В Gluskin soon begins to chase Waylon down again, with claims of wanting to have Waylon mother his children. Waylon evades Gluskin and exits the room, shaking Gluskin off his trail. Trapped, with no exit in sight, Waylon waits helplessly as The Groom (Eddie Gluskin) enters the room from the far end, trying to seduce Waylon all the while.

Waylon walks through the three adjoining rooms and is spotted by the grinning Groom through the window of the last locked door. Behind a lit curtain lies a brutal scene of bodies and human remains placed and tied up to imitate the moment of childbirth, where a nearby radio plays the song I Want A Girl by Harry Von Tilzer and William Dillon. Waylon enters a large, dark room with several old sewing machines on tables. The voices mock Waylon as he enters the lower floor, one of them stating that Waylon 'delivered his own self to Gluskin's hell'. Waylon escapes by vaulting over the wall to the descending staircase nearby.

Waylon squeezes himself into the interior of the walls and eventually hops over a wooden wall and into a room, where Dennis will spot Waylon and try to chase him down to become the 'goat' for Gluskin. Waylon continues to sneak through the room, at one point encountering a Variant who warns Waylon to remain quiet, or face the threat of 'the man downstairs'. As he journeys, the voices continue to talk amongst themselves about the idea of using a visitor to be their sacrificial 'goat' to a man named Gluskin, in hopes that Gluskin won't hurt them. He heads away from the figure and begins to navigate himself around the maze of stacked furniture, metal shelves, and wooden palletes. As Waylon recovers from his fall, he hears several voices nearby in the dark arguing and sees a single figure behind the wooden plank walls.

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